Saturday, September 06, 2008

The outlook at ARt

Attributing the season-cancelling financial woes at Actors Rep to "carelessness" on the part of the board and managing director prior to June 2007, ARt board president Jim Barthelmess nonetheless has hopes for the theater's future.

ARt's next board meeting is on Sept. 18; soon after that, says Barthelmess, the press and subscribers will receive a letter outlining the theater's plans.

"My suspicion is that some of this board will want to resurrect ARt pretty soon, but not as ARt," Barthelmess says. "I'm suggesting 'The Phoenix Theater,'" he adds with a smile.

Since early this year, he says, "What became clear to us is that there was no business plan. We didn't get the books -- we got boxes full of receipts and check stubs. It was almost impossible to create a financial past, which put us in a bad, bad place in applying for grants. We were blindsided by what we had to contend with. We would apply for royalties, only to be told, 'Well, you still haven't paid the royalties from back in 2004.' It added up to thousands of dollars, but we have paid up -- back taxes and royalties and back printing bills."

As for what artistic director Michael Weaver and former managing director Grant Smith (who was associated with ARt until August 2007) should have realized, Barthelmess says that "We're just looking at carelessness." Major problems started to become evident, Barthelmess says, by February -- "but we're not going to go back and do recriminations." Instead, he's looking to the future.

"If ARt comes alive again -- as ARt or as some other theater -- and I have anything to do with it, we will have a business plan and a budget, credibility and transparency," he says.

"I have theater friends in Cleveland [where Barthelmess, a retired college professor, taught for many years]. And I know how it is -- a lot of it is crisis management, with people saying, 'Oh, we don't have any props, but we've got to get the play up.' I understand that. But if you send out a flyer announcing one of your plays, you'd better have enough money to pay for the postage."

Barthelmess says that ARt still has "staff to pay off, one last payroll, bills to pay, minutes and files to be stored." It's a sad prospect: "I wish with all my heart this hadn't been the outcome," he says, adding that he's felt "physically sick" for much of the past month over the decision.

He says the ARt board considered closing immediately, or at least trying to stick it out through December. "Initially, our impulse was to try to do the season," he says. But it wasn't possible, even though the cast for ARt's intended next show, *Doubt,* was already in town rehearsing.

But that big bill from the state of Washington for workman's compensation payments had come due, with interest and penalties. Financially, "there was just a wall we ran into -- that's a good image for it," he says.

A year from now, Barthelmess speculates, "ARt will not exist, probably. But we're not trying to get rid of it. We're just mothballing it."

Michael Weaver, Barthelmess adds, "was not fired. He was part of this decision."

Barthelmess says that after he announced the season's cancellation at the performance of *The Importance of Being Earnest* on Aug. 29, "people came up to us, Michael and me, and some of them were weeping, and they shook my hand and said how much they had enjoyed Michael's shows. They understood. There's a great deal of goodwill among our subscribers."

The board had to be reactive and not proactive, he says. "We were always putting out fires. But I'm pretty confident that we did the right thing," he says, while adding that "I don't know that I'd like to preside over a train wreck. But please know that we tried to do our best in difficult circumstances."

Former ARt business manager Reed McColm and former ARt managing director Grant Smith have not yet been contacted in connection with this story. More details will emerge, especially after the Sept. 18 ARt board meeting.

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Monday, September 01, 2008

The Civic steps in

The Civic's director of development, George Green, reports that Actors Rep season-ticket holders will be given an opportunity to attend shows at the Civic this season.
"All ARt members -- regardless of whether they are Civic members or not -- will have their memberships honored to some degree, probably in the form of play coupons in exchange for their memberships," Green says.
If ARt has more than a thousand subscribers and if the Civic decides to offer, say, four play coupons to each, that's 4,000 seats the Civic is giving away, with no guarantee that those subscribers will renew at the Civic.

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Sunday, August 31, 2008

Actors Rep cancels season

Bobo has been out of town, so is just now reading in this morning's Spokesman that Actors Repertory Theatre has cancelled the rest of its season, citing unforeseen financial problems.
There are no plans to disband, and *Earnest* will continue through Sept. 6, but then that's it for this year.
More later.

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Saturday, June 21, 2008

final list of nominees for the 2007-08 Spokies

The Spokane-area theater award winners will be announced in *The Pacific Northwest Inlander* on Thursday, June 26.

Limited to four nominees per category (with three exceptions).
Some categories have fewer nominees.
In nine of the 19 categories, Bobo had five to eight nominees on his short list. Those categories include four of the six acting categories (featured actor, actor-musical, actress-play and actress-musical); three of the technical categories (choreography, set-play and costumes-musical); and two others (ensemble and local musical).
Apologies in advance for any misattributions or misspellings – and please post some comments helping out Bobo on some character names -- and perhaps other, missed details. (Not to mention all the “How could you possibly leave out X, Y and Z?!?” comments.)


OUTSTANDING CHOREOGRAPHY:
Ross Cornell for Thoroughly Modern Millie, CdA Summer Theater
Troy Nickerson for Man of La Mancha, Civic
Roger Welch and Andrew Start for The Full Monty, CdA Summer Theater WINNER
Michael Wasileski for Kiss Me, Kate, CdA Summer Theater

LIGHTING:
Peter Hardie for South Pacific, Civic
David Baker for Man of La Mancha, Civic WINNER
David Baker for The Christmas Schooner, Civic

SET-MUSICAL:
Michael McGiveney for Kiss Me, Kate, CST
Peter Hardie for South Pacific, Civic
David Baker for The Christmas Schooner, Civic WINNER
David Baker for Man of La Mancha, Civic

SET-PLAY:
Peter Hardie for The Night of the Iguana, Civic
John Hofland for Rabbit Hole, Actors Repertory Theatre of the Inland Northwest WINNER
William Rosevear for The Rainmaker, Spokane Interplayers Ensemble
Maynard Villers for Rounding Third, Interplayers

COSTUMES-MUSICAL:
Susan Berger and Jan Wanless for The Christmas Schooner, Civic
Susan Berger and Jan Wanless for Man of La Mancha, Civic
Judith McGiveney for Kiss Me, Kate, CST WINNER

COSTUMES-PLAY:
Dee Finan for Tour de Farce, CenterStage
Jessica Ray for Souvenir, Actors Rep WINNER
Jessica Ray for Rabbit Hole, Actors Rep

FEATURED ACTRESS:
Kathie Doyle-Lipe as Nat in Rabbit Hole, Actors Rep
Caryn Hoaglund as Izzy in Rabbit Hole, Actors Rep
Marianne McLaughlin as Bloody Mary in South Pacific, Civic WINNER
Manuela Peters as Hannah Jelkes in The Night of the Iguana, Civic

FEATURED ACTOR:
Luke Barats as Barnett in Crimes of the Heart, Civic
Carter J. Davis as Jamie in Long Day’s Journey Into Night, Actors Rep
Patrick McHenry-Kroetch as Tyler in Laughing Stock, Civic
Jimmy-James Pendleton as Jason in Rabbit Hole, Actors Rep
Jonathan Rau as Buddy "Keno" Walsh in The Full Monty, CST WINNER

LEADING ACTOR-MUSICAL:
Dennis Craig as the grandfather in The Christmas Schooner, Civic
Robby French as Jamie in The Last Five Years, Civic Studio
Patrick McHenry-Kroetch as Cervantes/Quijana/Quixote in Man of La Mancha, Civic WINNER
Michael Muzatko as Emile deBecque in South Pacific, Civic
Curt Olds as Pete in Pete ‘n’ Keely, Actors Rep

LEADING ACTOR-PLAY:
Tony Caprile as Don in Rounding Third, Interplayers
Patrick Treadway as the Professor in All the Great Books (abridged), Actors Rep WINNER
Michael Weaver as Howie in Rabbit Hole, Actors Rep

LEADING ACTRESS-PLAY:
Olivia Brownlee in “Rodeo” and “Handler,” Talking With, CenterStage
Page Byers as Becca in Rabbit Hole, Actors Rep
Piper Gunnarson as Carol in Oleanna, Interplayers
Karen Nelsen as Mary Tyrone in Long Day’s Journey Into Night, Actors Rep WINNER
Kelly Quinnett as Lizzie in The Rainmaker, Interplayers

LEADING ACTRESS-MUSICAL:
Krystle Armstrong as Millie Dillmount in Thoroughly Modern Millie, CST
Abbey Crawford as Keely in Pete ‘n’ Keely, Actors Rep WINNER
Andrea Dawson as Cathy in The Last Five Years, Civic
Tami Knoell as Aldonza/Dulcinea, Man of La Mancha, Civic

DIRECTOR-PLAY:
Tralen Doler for Rabbit Hole, Actors Rep WINNER
Ellen Crawford for Grace & Glorie, Interplayers
Todd Jasmin for The Rainmaker, Interplayers and Lake City Playhouse
Maynard Villers for Rounding Third, Interplayers

DIRECTOR-MUSICAL:
Maria Caprile for The Christmas Schooner, Civic
Yvonne A.K. Johnson for The Last Five Years, Civic
Troy Nickerson for Man of La Mancha, Civic
Michael Weaver for Pete ‘n’ Keely, Actors Rep
Roger Welch for The Full Monty, CST WINNER

ENSEMBLE:
All the Great Books (abridged), Actors Rep
Rabbit Hole, Actors Rep WINNER
Man of La Mancha, Civic
Crimes of the Heart, Civic

TOURING MUSICAL:
Dirty Rotten Scoundrels WINNER
High School Musical
The Wedding Singer

LOCAL MUSICAL:
The Full Monty, CST WINNER
The Last Five Years, Civic
Man of La Mancha, Civic
Pete ‘n’ Keely, Actors Rep

DRAMA:
Long Day’s Journey Into Night, Actors Rep
The Night of the Iguana, Civic
Rabbit Hole, Actors Rep WINNER

COMEDY:
All the Great Books (abridged), Actors Rep WINNER
Laughing Stock, Civic
Tour de Farce, CenterStage

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Tuesday, May 06, 2008

Actors Rep auditions on May 18

Audition for next season at Actors' Repertory Theater of the Inland Northwest
Sunday, May 18, from 1-5 pm
by appointment only
at SFCC's Spartan Theater, Bldg. 5, 3410 W. Fort George Wright Dr., Spokane
Write mweaver@actorsreptheatre.com
Call (509) 570-2745
Prepare two two-minute monologues, classical and contemporary; bring a photo and resume.

ARt will also hold season auditions in Seattle on Friday, May 9, as well as in San Francisco on Monday-Tuesday, June 2-3.
Five productions a year, 15 performances each.
Productions rehearse for three and a half weeks followed by two and a half weeks of performances. Visit www.actorsreptheatre.com.

ARt’s 2008-09 season will include The Importance of Being Earnest, Doubt, Relatively Speaking, Swansong, and Steel Magnolias, Rehearsals for the first production, The Importance of Being Earnest, begin July 28 for an Aug. 22 opening.

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