There's talk of a Mike Nichols-Phillip Seymour Hoffman-Linda Emond Death of a Salesman on Broadway in 2011, according to Michael Riedel in the New York Post.
Bobo likes the idea of of PSH as Willy Loman; and he likes Riedel's irreverent tone toward Nichols' directing (and, especially, his Seagull) — no sacred cows here; and he especially likes Brian Dennehy's comments about "wrestling" with a great role for six months.
Which brings up a (conveniently localizing) thought: In a town where plays run for five weeks max (and usually much less), how does anyone really sink their teeth into monumental (or merely challenging) role?
What Bobo thinks he thinks: If Dennehy needs six months, then none of us locally are achieving the maximum in short runs. Possible partial solution: long-time pre-rehearsal preparation. (I'm thinking Brian Gunn in Buddy and what Damon Mentzer is doing for Richard III at SFCC next year: Total immersion, totally running with it even before the table reading, so that maybe, just maybe, by the end of a short run — and long after those picky critics see it on opening night — a given role can achieve full fruition.)
[ photo: Brian Dennehy in Death of a Salesman; from forgotmylines.com ]